Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

7.26.2014

Hotel Pastis written by Peter Mayle

Hotel Pastis is a charming, nonchalant read perfect for the early summer when one sits down with a book in hand in the "not-yet-hot-enough-heat," pretending that it is indeed hot enough for a mojito. While sipping on that mild drink, one dreams of the upcoming summer and its false promises. That's when you should read Hotel Pastis. No other times would deliver this book's optimistic flavour, sweet sultry French sensations, encouraging images of Provence, and a worthwhile feeling of accomplishment. I doubt that this book could have its impact when read during the winter; it'd probably leave a sour sappiness instead combined with an reaffirmed distaste for easy fiction reads.

Another thumbs up aspect is the character's background as a middle-aged, advertising executive from Britain who is basically on the top of the industry. He chucks it all in an unreasonable fashion to build a small hotel in Provence after meeting an fetching French lady. Kind of parallels Mayle's life as he was a successful figure in ad industry until he had had enough and quit to write full-time. There are some parts of the book where the ad industry is accurately portrayed in a satirical ways, and such parts had triggered me to make a mental note to go job hunting the next day.
The Condom Marketing Board, or the Rubber Barons, as they were unofficially known in the agency, had asked to see presentations for their five million-pound account. Simon knew that two other agencies were pitching, and he wanted the business. Although the billing wasn’t enormous, it would be worth having for the creative opportunities it offered. Sex and social responsibility—a copywriter’s dream assignment—could be the basis for some showy, provocative work that would be in dramatic contrast to the package-goods advertising that the agency produced for its major clients. And the City would be pleased to see another few million on the turnover. It would be, as Jordan had been heard to say, a rubber feather in the agency’s cap. 
Simon looked through the documents that would be incorporated into a single glossy volume for Thursday’s meeting, the paper crutch carefully designed to support the campaign idea, proof that the agency had done its homework. He weighed the inch-think pile in his hands, sighed, and forced himself to concentrate. 
The days leading up to the presentation passed in a series of skirmishes between the various departments of the agency. The research people accused the creative people of ignoring their findings. The creative people sulked and complained about lack of time. The media people complained about lack of sufficient money for a national campaign. The executives complained about everybody else’s unreasonable and childish behaviour. The agency bitched and snarled its way towards Thursday, working late and muttering about pressure and brutal hours. It was always the same, Simon thought. Give them three days or six months, it didn’t matter. Panic was part of the game.  - p. 78-79
The dialogues are hilarious and the situations well-described. The luxurious lifestyles of a head ad executive (spending other people's money and charging unnecessarily huge amounts to the clients) is gratifyingly portrayed. #GoodEntertainment #LOLMomentsEveryPage
“Except make money?”
“Exactly. And so you buy a new car or a new house and tell yourself that living well is the best revenge—it’s like a consolation prize for being bored and having to work during weekends and not liking what you do very much.” Simon drew on his cigar and frowned. “I don’t make it sound very attractive, do I? The poor old advertising man, suffering in luxury, dragging himself from the Concorde to the Mercedes to the restaurant.” He smiled. “Breaks your hear, doesn’t it?” - p. 115
“Something tells me it will be easier than you think. You know in the self-supporting suits.” Simon nodded. Jordan would be delighted. “They’ll all move up one. Isn’t that what they want? There may be a few crocodile tears, and then they’ll start arguing about who gets your cars. You mark my words.” 
Ernest sniffed and returned to his Filofax, and Simon spent the rest of the flight considering the strategy for his departure from the agency. He was under no illusions; once he’d gone, every penny due to him would be resented and disputed. He’d be a nonproductive drain on resources, and he’d heard a dozen stories about the legal acrobatics performed by agencies in order to minimize payments to departed directors. Also, he was committing the cardinal sin in advertising of willingly leaving the business, which was something you were supposed to talk about rather than do. - p. 177
And Peter Mayle, being smart, adds on a second storyline which ultimately becomes connected with the main romantic story. This one's more of a thriller as it is about a group of ex-criminals who plan to rob a bank at a nearby village to where the hotel is.  So the reader is never bored. Once you feel tired of reading about the annoying first-world satirical comments originating from the goddamn posh lifestyle of the rich, you are presented with a fresh set of characters and speech of the cunning criminals of Provence. You can hear the French from the dialogues, the heat from the Provence scenery illustrations, and as the book ends, you will be sad that you were not a living part of this fictional and comical world of adventure, romance, and... essentially paradise. No wonder Van Gogh had stayed years in Provence, praising it and declaring how new colours can be discovered in this beautiful region.





One day, I will be in Provence, too. Savouring the wine, basking in the heat, and just trying really hard to make sense of olive trees.


7.22.2014

Salinger, the documentary

When a person is dead, then there is no stopping what the living will speak. This applies to everyone, regardless of power, status, respect nor dignity. 
- My key takeaway of the documentary.



My life on Netflix is pretty unexciting. Whenever I really want to spend time on it, it stops loading. Like #foreverPIXELATED!!!! [Insert all kinds of worldly profanity here]. I then proceed yelling at everyone in my family to turn off their phone wifi to maybe perhaps get less pixelation... But of course, to no avail. When it's working though, I'm usually shuffling through the documentaries.

As always, my reviews of stuff come way later than when I actually viewed them. This one, I viewed a long time ago. "SALINGER" came out in 2013 and has a lovely unimaginative poster that resembles a book cover. SO CLEVER!!!!..... Not.  Apparently this director guy (Shane Salerno) had spent about a decade working on this documentary. SO WORTH HIS TIME!!!!...... Not. I sound sour because the documentary leaves you feeling sad and sour to the extreme. I watched it to kill some time in between the two FIFA games of the day, and because I knew I'd learn something new. I was also never a big fan of The Catcher in the Rye and Holden Caulfield, so I was mildly intrigued in what ways would this documentary glorify the book even more than it already is. In fact, "Salinger" glorifies EVERYTHING even down to the unpublished characters of JD Salinger's work. Go figure. Making the documentary pretty "phony." LOL! Get it??? hahaha..... (insert awkward turtle hand gesture here..)

Source: chicagonow.com

Most of the interviews are quite generic (more and more extraordinary compliments of JD Salinger, his looks, his writing, his style, his perfection-obsessed personality, yaddayaddablahblah), except for Jean Miller's as she gets pretty deep, personal, and sentimental when revealing her side of the story. This is when I was shocked about how a person could keep silent for more than half a century and spill the beans on EVERYTHING when Saliger's gone off to the heavens. Same sentiments ensued when I watched the other interviews of the women Salinger had encountered (pretty much countless). Then I went onwards to assure myself to never fall for word-masters who are suave, brilliant, and veiled-in-secrecy-in-super-mysterious-sexy-ways. Hard. Very hard. I think I'll fall for a personality like Salinger's just for the sake of self-destructing my emotional self. Anyways, back to the documentary review... Not only is the privacy-invading content from these women pretty disturbing, but it is more about the documentary's existence itself. Salinger had spent his whole life with a mission to seclude himself from the outside world, truly pursuing the art of living in secrecy and in insane mental state. One can't blame him as his fame did not merely bring money and happiness, but also heavy burdens; there were three--not one--murders in America where the killers quoted Holden Caulfield in the court testimonies. The most famous incident would be the murder of John Lennon. This topic is also briefly covered in "Salinger." Despite all of Salinger's troubles and wishes to remain away from the world, this entire documentary is about divulging his life, tearing his secrecy apart, and publicizing almost everything he had wanted to keep silent about. It fucking starts with this guy stalking around to take paparazzi photos of JD Salinger walking out of the mail depot. RUDE. Just so rude! Poor JD Salinger... He will definitely not rest in peace now, would he? :( :( :(

Yet there are still good parts to this mediocre documentary. There is a somewhat ridiculous amount of time spent on Salinger serving the state in WWII. I never took the effort to read JD Salinger's wiki page, so I had no idea how long he had served, how hard he tried to get enlisted, what kind of position he undertook, how he came back, et cetera. This part and his survival through WWII is enriching and complements his subsequent life events well. Needless to say, this fact-driven history lesson in the middle shines out and stays with you after the documentary, because it clearly juxtaposes against all the emotional, sappy, and overtly pretentious interviews and viewpoints on JD Salinger.

Still interested?
Watch the trailer below. 




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